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AlOchanaamR^itaM

Shakti Lacking in India I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a dimnution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think - incapacity of thought or "thought-phobia"... It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti.... Look at Europe.
We, however, are not worshippers of Shakti; we are worshippers of the easy way... Our civilization has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible.

We have abandoned the Sadhana of Shakti and so the Shakti has abandoned us. We practise the yoga of love, but where there is no Knowledge or Shakti, love does not stay, narrowness and littleness come in.

- Sri Aurobindo (India's Rebirth, pp. 152)


sa.ngItaM karNATaka hindusthaani lalita (telugu)
telugu purANAlu pravachanAlu sAhityaM toli velugulu
Miscellaneous Articles telugu Recipes sa.nskR^itaM digvijayii bhaarata (blog) padya kaumudi (blog)

Sri Gummadi Gopalakrishna padya gAnam (audio)

Sri Gummadi Gopalakrishna padya gAnam - excerpts from his padya nATakams

Artist: 'gAna gandharva' Sri Gummadi Gopalakrishna
Year: 2004
Music: Brahmanandam, B. Yajna Narayana
Supervision: 'kaLA tapasvi' Sri G.S.S. Sastri
Notes: These songs are released as an audio CD. Sri Gopalakrishna gaaru, whose life mission is to restore telugu padya nATakam to its due glory, has kindly allowed their free publication here. We are all indebted to him for this favor.

Sri Gopalakrishna gAru has conducted a 'padyaala workshop' during Aug 8-13, 2005 in Sunnyvale, CA, where he taught how to render a padyam to fully bring out its saundaryam and rasam. That was when I got a chance to personally appreciate his awesome talent. Though he had no formal training in classical music, his command on Indian raagas is great. Music flows out of his gaLam like jalapaatam, and padya rasam oozes out like madhuvu. I attempted a small kanda padyam as my guru dakShiNa to him:

        sompaara padya-kavitaa-
        Silpaangana naaTyamaaDa jIvamu pOyun
        gOpaala kriShNu gaanam(bu)
        aapaata-madhUdayambu bhAva-sphuTamun!
    
. Meaning: Padya kavita is like the inanimate sculpture of a lady. Gopalakrishna gAru's music brings the lady to life and makes her dance exquisitely ('sompaara'). His music's melody is 'ApAta madhUdayam' i.e., we feel the sweetness at once as we drink it (with our ears). Also, his rendering of the poem is 'bhAva-sphuTam' i.e., makes the padyam's meaning/rasa crystal clear to the listener.

Select rm Select mp3 Title Author
play, rm play, mp3 Introduction Music Director R.P. Patnaik
play, rm play, mp3 SrI kR^IShNa raayabaaram tirupati vE.nkaTa kavulu
play, rm play, mp3 SrI kR^iShNa tulAbhAram muttarAju subbArAvu
play, rm play, mp3 SrInAthuDu padya rachana: SrInAtha mahaakavi,
gadya rachana: SrI Akella



- Sarada and Sai Susarla (sai.susarla@gmail.com)